Umělec 1/2012 Просмотр всех номеров
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."

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Censorship could be defined as something that happens everywhere in the world, but not in America. There thus remains the need to explain those strange phenomena that readers of American newspapers sometimes encounter. We will ask Europeans; perhaps they will recognize something ancient in them.

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Octavian Esanu looks at the acceptance and rejection of what is “American” in a non-American environment, against the backdrop of an unclear understanding of freedom and the historically growing confidence of American art, which quite possibly stands behind the seemingly universal concept of “contemporary art.” Where the colonization of the spirit through an emphasis on contemporaneity still encounters resistance, the attractiveness of American shoes perhaps presages the strongest export – packaging, boxes, frames and vehicles.

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Журнал Umělec
Год 2012, 1
6,50 EUR
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"Life continues, and capitalism shapes life in a way it has never been shaped before. If this isn’t something “new”, then the word “new” has been reduced to a meaningless insult. It must be reserved anew for the one and only thing that knows how to use it effectively, for the shoggoth-summoning regenerative anomalization of fate, for the unstoppable creation of a so infinite plasticity that nature collapse and dissolves before it. For the Thing. For Capitalism."

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Post-Fordist working conditions wear a mask of openness, flexibility, and individual freedom. Criticism thus finds all the more difficult to achieve its objectives when it is literally attracted by institutions. Under such conditions, is it even possible to make art that is not part of the culture industry? Just like Kenneth Goldsmith in the opening text to this issue, these two British critics ponder the opposing tactics that, instead of attacking the concept of institutions, overpower it. Perhaps even art itself is built of nothing more than inertia.

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ArtLeaks
27.07.2014 19:39
Knihy, multimédia a umělecká díla, která by vás mohla zajímat Войти в e-shop
Fountain, 2001, etching, 39,5 x 27 cm
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160 EUR
35.5 x 33.5 cm, Pen & Ink Drawing
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V této autorské knize propojuje Martin Zet viditelné / hmatatelné / uskutečněné / formulované, do jednoho celku
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