Umělec 3/2004 Lista de todas las ediciones
The only pleasant thing left over from Christianity is the reservation of luxury and democracy. Outside this reservation, there is an exotic world of chaos inhabited by enemies. Probably the best, albeit unintentional caricature of this world concept, is the current film industry. The soiled protagonist, ragged and rain-drenched, is being beaten up by humanoid monsters gone berserk. After he…

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Jiří Kovanda’s activities in the seventies became a significant pillar of Czech alternative culture. Recently, Kovanda has begun to be recognized abroad, particularly for his personal approach to urban public places; he has been presented at a number of international exhibitions in Europe. The actions, however, are merely aspects of many stages. In the eighties he painted, drew and, in the…

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As usual, American Independence Day (4th of July), 2004, in Berlin was abound in protests against the U.S.A., but the “Girl-Groups Against Bush” concert at the Mudd Club in East Berlin was the most appealing to me. Bringing together German-Berliners like Electrocute and Berlin-based New Yorkers like Isabella Deluxe 3000—with ten groups overall--the line-up was sweet; though, the real attraction…

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Duo van der Mixt are Cristian Rusu (visual artist, set designer) and Mihai Pop (visual artist, curator). Their association is primarily motivated by a discomfort with clichés, with the readiness of contemporary Romania to adopt stereotypes, accretions of thought stemming from rudimentary political and social discourse. Although they encapsulate bits of (falsified) history, these relics of the…

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A New Generation in Romanian Contemporary Art The most visible phenomenon on the Romanian contemporary art scene is the occurrence after the year 2000 of a seemingly homogenous young generation, between the ages of twenty and thirty. Indeed, this generation is currently engaged in an active process of defining itself as a group, as a “young generation,” with all associated implications. However…

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