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Rapidité!  Accelerating Modesof Subjectivation   in Proto-Postfordism  Gerald Raunig | time | 01.02.2009
RAPIDITÉ! ACCELERATING MODESOF SUBJECTIVATION IN PROTO-POSTFORDISM
Jacques Tati, as this piece will explore, is an early participant of the proto-postfordist avant garde in the middle of the 20th century. Film critics often misunderstand Tati’s work as a criticism of civilization and a denunciation of the unreasonable demand of modernism. They especially misinterpreted Tati’s first feature film, Jour de Fête, in this way, due to its idyllic framework (and, above…

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