Umělec 1/2006 List of all editions.
Oliver Kielmayer speaks with Olaf Breuning Why didn’t you attend the opening of the Biennale in Prague? I had a production in New York that occupied all my time. For three months I was involved in a new exhibition in the gallery Chisenhale. It was my first important exhibition in London on such a large scale. What did you show in Chisenhale? Most people expected multi-media work with sound…

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Conceptually, the Tirana Biennale was billed as an exploration of taboos in contemporary society with an effort to test them artistically using an Albanian backdrop. Practically, this international festival of exhibitions appears as a masterpiece of what people can do on a shoestring. Perhaps it is the very absence of massive external cultural financing that this show could be the creative…

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9th Istanbul Biennial, Antrepo No. 5, September 16 – October 30, 2005 The ninth Istanbul Biennial was shaped by two curators: Charles Esche and Vasif Kortun. The former is an art critic who used to run the Tramway Gallery in Glasgow and currently serves as director of the Van Abbemuseum in Eindhoven. The latter comes from Turkey but has lived in the United States for a long time; where he was…

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I digress upon a pressing question: Who am I? When discussing the most recent Istanbul Biennial, there are manifold reasons to ask. Not only does the question introduce the issue of local identity and critical regionalism; in a deeper sense, it addresses the transgression process of cultural forms, and the borderless situation in which these forms appear and co-exist. A hallmark of current…

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