Umělec 1/2012 Просмотр всех номеров
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."

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Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.

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Octavian Esanu looks at the acceptance and rejection of what is “American” in a non-American environment, against the backdrop of an unclear understanding of freedom and the historically growing confidence of American art, which quite possibly stands behind the seemingly universal concept of “contemporary art.” Where the colonization of the spirit through an emphasis on contemporaneity still encounters resistance, the attractiveness of American shoes perhaps presages the strongest export – packaging, boxes, frames and vehicles.

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Журнал Umělec
Год 2012, 1
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Censorship could be defined as something that happens everywhere in the world, but not in America. There thus remains the need to explain those strange phenomena that readers of American newspapers sometimes encounter. We will ask Europeans; perhaps they will recognize something ancient in them.

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Somewhere between the demonization and romantization of Romany culture, Delaine Le Bas seeks out a fragile reality that hides more than one cliché, stereotype and simplification. The diverse innocuousness of her vibrantly colorful installation is complemented by a reading of equally colorful news stories.

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04.02.2020 10:17
Knihy, multimédia a umělecká díla, která by vás mohla zajímat Войти в e-shop
IN SCHUDA’S WORLD , the spiritual in Susanne Schuda’s The Cell , , Susanne Schuda’s art features the self-assertion of...
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21 x 14,5 x 1 cm / 56 pages / offset / 1000ex
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15cm x 21 x 0,7 cm / 32p / sérigraphie 4 passages couleur / 200 ex
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