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Sezgin Boynik

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Přehled příspěvků autora Sezgin Boynik

Learning From The Underground   Sezgin Boynik | art market | 01.02.2009
LEARNING FROM THE UNDERGROUND
1. Learning from Attitude The underground, although hermetic, always attempts to effectively change the mainstream world that surrounds it. We can say that its effectiveness increases proportionately to the underground’s potential to be visible in the public sphere. Actually, this is a characteristic of utopia that in part, paradoxically, disables a complete realization of the underground’s…
Anri Sala and the Issue of Identity in Situations of Collective Amnesia Sezgin Boynik | 01.02.2004
ANRI SALA AND THE ISSUE OF IDENTITY IN SITUATIONS OF COLLECTIVE AMNESIA
Anri Sala is probably the most reflexive of young Albanian artists. Full of irony, his works provoke a multiplicity of ideological or political debates – a process dating to one of his first videos, produced in 1997 when Sala was 23 years old, entitled “Intervista.” That video represents an evolving dialogue between the artist and his mother. By chance he’d stumbled on a video tape of an…
Sezgin Boynik | focus | 01.03.2003
QUESTIONS FOR ARTIST SOKOL BEQIRI
"Mr. Beqiri, could you briefly explain the current political situation in Kosovo, its future and role of UNMIK? The shortest way to describe the current political situation is unclear. Unclear, because of the undefined status of Kosovo. I feel that the UNMIK is a part of the former Yugoslav system, a bureaucratic, autocratic, ineffective and expensive administration. I see the future of Kosovo as…
IS THERE ANY CONTEMPORARY CULTURE IN KOSOVO? Sezgin Boynik | focus | 01.03.2003
IS THERE ANY CONTEMPORARY CULTURE IN KOSOVO?
"Since 1999, the international force of NATO and UNMIK (United Nations Interim Administration Mission in Kosovo) has created partial freedom for people who live in Kosovo. For over ten years Yugoslavia had taken from Albanians all their basic rights to education, work, health and culture. So the 1999 “Turning Point” was considered a wave of freedom among the international public. Albanians…
POWER TO THE ARTIST (interview with Sislej Xhafa)  Sezgin Boynik | focus | 01.03.2003
POWER TO THE ARTIST (INTERVIEW WITH SISLEJ XHAFA)
"Sislej Xhafa, an Albanian from Kosovo, travels widely, experiencing various world cultures firsthand, and from this basis he makes his work, touching on illegality, immigration, and authority. He first became known at the 1997 Venice Biennale for his performance Unofficial Albanian Pavilion in which he strolled through the various national pavilions bouncing a soccer ball and blaring a recording…

Přehled rubrik autora Sezgin Boynik

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27.07.2014 19:39
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Burning at the stake, 2014, acrylic painting on paper, 69 x 80 cm
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Podvečerní snímek na Krušné hory a Hnědouhelný důl Bílina, 2013, 225 x 150 cm, print on vinyl
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